《亚太地区传统音乐研讨会》

中国音乐中复调思维的形成与发展朱世瑞1

音乐家间的文化交流——国际合作萨玛·达斯5

在日本传统文化启发下的音乐新趋势作曲家：简宫芳生16

论音乐保存及创作人员的培训西里采查·法克杰隆（泰国）23

中华律学传统的复兴与开拓赵宋光29

中国各民族多声部民歌的发现与研究伍国栋34

澳大利亚土著音乐的变化及继续44

论中国传统音乐的保存和发展黄翔鹏56

中国传统器乐作品的犯调与当代民族器乐创作袁静芳74

黄河流域东西部民歌区的形成及其风格特征的比较乔建中 苗晶93

唐大曲曲式结构叶栋101

论中国民族音乐的数列结构童忠良119

浅论中国传统音乐在当代部分音乐创作中的作用孙谊136

探幽发微——谈中国传统器乐创作规律三则李民雄143

宗教与中国音乐田青157

音腔论沈洽169

中国北方一个民传统乐队的历史与现状——河北屈家营“音乐会”调查报告薛艺兵 吴犇178

《十番锣鼓》中的节奏、音色序列原则及其当代作品中的运用樊祖荫189

从中国钢琴曲看传统音乐与当代音乐创作的关系魏廷格208

中国传统音乐中复调因素的主要表现形式与特点朱世瑞216

TRADITIONAL MUSIC IN ASIA AND THE PACIFIC AS A SOURCE OF INSPIRATION FOR CONTEMPORARY MUSICby TRAN VAN KHE223

ON THE PRESERVATION AND DEVELOPMENT OF TRADITIONAL CHINESE MUSICby Professor Huang Xianpeng249

亚太地区传统音乐作为现代音乐创作的源泉——现代中国琵琶独奏曲的创作郑瑞贞277

The discovery and Study of Polyphonic Filk Songs of Different Nationalities in China（Excerpts）WU GUODONG282

The Role of Traditional Chinese in Contemparary Music Creation（Excerpts）Sun Yi285

Rescue and Collection of the Traditional Chinese Music Heritage——a brief account of the editing and publication of collections of five genres of Chinese narional music（Excerpts）Feng Guangyu289

AN EXPIANATION ON THE ENGLISH VERSION OF “A STUDY OF MUSIC TONES”293

THE SHAPING OF EASTERN AND WESTERN ZONES OF FOLK SONGS IN THE YELLOW RIVER VALLEY AND THE COMPARISION OF THEIR ARTISTIC FEATURES（SUMMARY）Qiao Jianzhong Miao Jing294

THE FORMATION AND DEVELOPMENT OF POLYPHONIC THOUGHT IN CHINESE MUSICZhu Shi Rui297

The Relationship Between Traditional Music and Contem-porary Music Creation Seen Through Chinese Piano Music（Excerpts）Wei Tingge301

The Past and Present of a Traditional Peasant Orchestra in Northern China——a report on the“music society”at Qujiaying，Hebei Province（Excerpts）Xue Yibing and Wu Beng305

The Music Documentary on a Special Topic——“Hujia and Sibzre”309

On the Three Rules of Creation of Chinese Traditional Instrumental Music（Excerpts）Li Mingxiong311

Religion and Chinese Music（Excerpts）Tian Qing314

On Number Sequence Structure of Chinese Traditional Music（a detailed summary）TONG ZHONG-LIANG316

A SUMMARY OF THE RELATIONASHIP BETWEEN FANDIAO IN TRADITIONAL CHINESE INSTRUMENTAL MUSIC AND CONTEMPORARY NATIONAL MUSIC CREATIONBY YUAN JINGFANG325

“THE ROLE MUSIC CAN PLAY”BY SOHAIL RANA PAKISTAN330

The paper on“The traing of music for music preservation and creation”by Mr.Sirichaicharn Fackjamroon335

NEW MUSIC TRENDS INSPIRES BY JAPANESE TRADITIONABy Michio Mamiya，composer341

CULTURAL ESCHANGES AMOONG NUSICIANS-INTERNATIONAL COOPERATIONBY SAMAR DAS351

USES OF MUSIC IN OCEANIA Mervyn McLean University of Auckland362

Continuity and Change in Australian Indigenous Music Stephen Wild Auatralian Intitute of Aboriginal Stuies378

可动唱名法要沿自己的方向提高（上）赵宋光397

他的心愿 做群众的知音——记青年作曲家刘长安施雁398

可动唱名法要沿自己的方向提高 二、可动唱名与线谱相结合赵宋光399

可动唱名法要沿自己的方向提高（下）赵宋光400

亚太地区传统音乐讨论会 中国北京401

参加“亚音会”全体人员名单411

中国音乐家协会412

“亚音会”日程表413

TRAINING SYMPOSIUM ON MUSICAL TRADITION IN ASIA AND THE PACIFIC AS A SOURCE OF INSPIRATION FOR CONTEMPORARY MUSICAL DEVELOPMENT IN ASIA SCHEDULE414

TRAINING SYMPOSIUM ON MUSICAL TRADITION IN ASIA AND THE PACIFIC AS A SOURCE OF INSPIRATION FOR CONTEMPORARY MUSICAL DEVELOPMENT IN ASIA LIST OF PARTICIPANTS416

TRAINING SYMPOSIUM ON MUSICAL TRADITION IN ASIA AND THE PACIFIC AS A SOURCE OF INSPIRATION FOR CONTEMPORARY MUSICAL DEVELOPMENT IN ASIA ADDRESS AT THE OPENING CEREMONYby MR.LIU DEYOU418

提交亚太地区传统音乐讨论会论文目录422

TRAINING SYMPOSIUM ON MUSICAL TRADITION IN ASIA AND THE PACIFIC AS A SOURCE OF INSPIRATION FOR CONTEMPORARY MUSICAL DEVELOPMENT IN ASIA ADDRESS AGENDA425

外国代表名单429

中国新音乐发展的灵感源泉刘靖之437

教我如何不想他刘半农作词 赵元任作曲470

山在虚无缥缈间472

河边对口曲476

牧童短笛481

文化部刘德有副部长的讲话494

关于中国传统音乐教育的一般情况赵？496