《Elizabethan and metaphysical imagery Renaissance Poetic and Twentieth-Century Critics》求取 ⇩

PART Ⅰ．SENSUOUSNESS AND SIGNIFICANCY AS FUNCTlONS OF IMAGES1

Ⅰ．THE PROBLEM AND WHAT IT INVOLVES3

1．Complications9

2．Necessities22

Ⅱ．＇IMITATION＇AND IMAGES27

1．Imitation and Images as Artifice27

2．Imitation and Author＇S Ordering40

3．Imitation and Didactic Intention44

Ⅲ．＇UT PICTURA POESlS＇AND FUNCTIONAL SENSUOUS IMAGERY50

Ⅳ．THE＇GARMENT＇OF STYLE AND FUNCTIONAL SENSUOUS IMAGERY61

Ⅴ．THE CRITERION OF SENSUOUS VIVIDNESS79

1．Sensuous Vividness:Images Which Describe or Amplify80

2．Sensuous Vividness:Its Relation to Trope99

3．Sensuous Vividness:Descriptive Ornament and＇Meaning＇109

Ⅵ．THE CRITERION OF DELIGHTFULNESS117

1．The Criterion of Delightfulness:＇Varying＇118

2．The Criterion of Delightfulness:＇Beautifying＇138

Ⅶ．THE CRITERION OF SIGNIFICANCY145

1．Significancy,Amplification,and Universals146

2．Significancy and the Supersensible World155

3．Significancy,Ancient and Modern164

4．Significancy and＇Statement＇175

Ⅷ．THE CRITERION OF RHETORICAL EFFICACY180

Ⅸ．THE CRITERION OF DECORUM192

1．Decorum and＇Literary＇Diction194

2．Decorum and the Lowering of Style196

3．Decorum and the Mixture of Styles214

4．Decorum and Revolt226

5．Decorum and the＇Three Styles＇230

6．Decorum and the＇Kinds＇237

7．Decorum＇According tO the Speaker＇244

PART Ⅱ．THE LOGICAL FUNCTIONS OF IMAGERY249

Ⅹ．IMAGES LOGICALLY DEFINED251

1．The Logical Base of an Image252

2．The Relation of Image-Functions to Formal Character272

Ⅺ．RENAISSANCE LOGIC AND THE FRAMING OF RENAISSANCE IMAGES281

1．The Predicaments as Springs of Imagery284

2．Definition,Division,and Method299

3．The Places of Invention309

Ⅻ．RAMIST LOGIC:CERTAIN GENERAL CONCEPTIONS AFFECTING IMAGERY331

ⅩⅢ．EFFECTS OF SPECIFIC LOGICAL FUNCTIONS UPON THE POETIC CHARACTER OF IMAGES354

1．Images Which Define355

2．Images Which Differentiate364

3．Images Which Bring Proof or Support a Position371

ⅩⅣ．IMAGES AND A REDEFINED DIDACTIC THEORY382

APPENDIX OF LONGER NOTES411

BIBLIOGRAPHY425

INDEX431