《THE NORTON SCORES A STUDY ANTHOLOGY VOLUME II: SCHUBERT TO THE PRESENT EIGHTH EDITION》

Enter Your Email
求助资料链接 (必填)
输入提取邮箱(必填)

1.Franz SCHUBERT(1797—1828), Erlk?nig(Erlking), D.3281

2.SCHUBERT, Die Forelle(The Trout), D.5508

3.SCHUBERT, Quintet in A major for Piano and Strings(Trout),D.667, fourth movement14

4.HECTOR BERLIOZ(1803—1869), Symphonie fantastique30

Fourth movement, Marche au supplice(March to the Scaffold)30

Fifth movement, Songe d’une nuit du sabbat(Dream of a Witches’Sabbath)51

5.FANNY MENDELSSOHN HENSEL(1805—1847), Bergeslust(Mountain Yearning), Op.10, No.5105

6.FELIX MENDELSSOHN(1809—1847), Violin Concerto in E minor,Op.64,first movement110

7.FR兲D兲RIC FRANCOIS CHOPIN(1810—1849), Prelude in E minor,Op.28, No.4159

8.CHOPIN, Polonaise in A-flat major, Op.53160

9.ROBERT SCHUMANN(1810—1856), “Und wüssten’s die Blumen”(“And if the flowers knew”), from Dichterliebe(A Poet’s Love)170

10.FRANZ LISZT(1811—1886), La campanella(The Little Bell),from Transcendental Etudes after Paganini, No.3174

11.RICHARD WAGNER(1813—1883), Die Walküre, Act Ⅲ, Finale183

12.GIUSEPPE VERDI(1813—1901), Rigoletto, Act Ⅲ193

Aria, “La donna è mobile”(“Woman is fickle”)193

Quartet, “Un dl, se ben rammentomi”(“One day, if I remember right”)198

13.CLARA SCHUMANN(1819—1896), Scherzo, Op.10217

14.BEDRICH SMETANA(1824—1884), Vltava(The Moldau), from Má vlast(My Fatherland)227

15.JOHANNES BRAHMs(1833—1897), Ein deutsches Requiem (A German Requiem), fourth movement291

16.BRAHMS, Symphony No.3, fourth movement302

17.GEORGES BIZET(1838—1875), Carmen, Act I No.3.Chorus, “Avec la garde montante”(“Along with the relief guard”)355

Recitative, “C’est bien là”(“It’s right there”)364

No.4.Chorus, “La cloche a sonné”(“The bell has rung”)367

No.5.Habanera, “L’amour est un oiseau rebelle”(“Love is a rebellious bird”)378

18.PETER ILYICH TCHAIKOVSKY(1840—1893), The Nutcracker,Three Dances from Act Ⅱ389

March389

Dance of the Sugar Plum Fairy413

Trepak(Russian Dance)422

19.ANTOíN DVORAK(1841—1904), Symphony No.9 in E minor(From the New World), second movement436

20.RUGGERO LEONCAVALLO(1857—1919), Pagliacci, Act Ⅰ,Canio’s Aria454

21.GUSTAV MAHLER(1860—1911), Das Lied von der Erde (The Song of the Earth), third movement, Von der Jugend(Of Youth)459

22.CLAUDE DEBUSSY(1862—1918), Prélude à “L’après-midi d’un faune” (Prelude to “The Afternoon of a Faun”)470

23.RICHARD STRAUSS(1864—1949), Der Rosenkavalier(The Cavalier of the Rose), Act Ⅲ, Trio501

24.AMY CHENEY BEACH(1867—1944), Violin Sonata in A minor,second movement511

25.SCOTT JOPLIN(1868—1917), Maple Leaf Rag518

26.SCHOENBERG(1874—1951), Pierrot lunaire, Op.21521

No.18.Der Mondfleck(The Moonfleck)521

No.21.O alter Duft aus M?rchenzeit(O Scent of Fabled Yesteryear)527

27.CHARLES IVES(1874—1954), The Things Our Fathers Loved531

28.MAURICE RAVEL(1875—1937), Rapsodie espagnole(Spanish Rhapsody), fourth movement, Feria534

29.BéLA BARTóK(1881—1945), Concerto for Orchestra, fourth movement, Interrupted Intermezzo585

30.IGOR STRAVINSKY(1882—1971), Petrushka,first tableau596

31.ANTON WEBERN(1883—1945), Symphony, Op.21, second movement652

32.ALBAN BERG(1885—1935), Wozzeck, Act Ⅲ660

Scene 4660

Interlude674

Scene 5679

33.SERGEI PROKOFIEV(1891—1953), Alexander Nevsky, seventh movement685

34.LILLIAN HARDIN(1898—1971), Hotter Than That698

35.DUKE ELLINGTON(1899—1974), Ko-Ko700

36.AARON COPLAND(1900—1990), Billy the Kid, Scene 1, Street in a Frontier Town719

37.RICHARD RODGERS(1902—1979), My Funny Valentine760

Original version, from Babes in Arms760

Gerry Mulligan Quartet version764

38.OLIVIER MESSIAEN(1908—1992), Quatuor pour la fin du temps (Quartet for the End of Time), second movement, Vocalise, pourl’ Ange qui annonce la fin du Temps(Vocalise, for the Angel who announces the end of Time)767

39.WITOLD LUTOSLAWSKI(1913—1994), Jeux vénitiens(Venetian Games), first movement775

40.LEONARD BERNSTEIN(1918—1990), West Side Story780

Mambo780

Tonight Ensemble803

41.GY?RGY LIGETI(b.1923), Disordre(Disorder),from Etudes for Piano, Book Ⅰ819

42.PIERRE BOULEZ(b.1925), Le marteau sans maitre(The Hammer Without a Master)824

No.1.Avant “L’artisanat furieux”(Before “Furious Artisans”)824

No.3.L’artisanat furieux(Furious Artisans)830

No.7.Après “L’artisanat furieux”(After “Furious Artisans”)833

43.GEORGE CRUMB(b.1929), Ancient Voices of Children, first movement, El niňo busca su voz(The Little Boy Is Looking for His Voice)837

44.STEVE REICH(b.1936), City Life, first movement, “Check it out”840

45.CHINARY UNG(b.1942), Spiral, excerpt885

46.PAUL LANSKY(b.1944), Notjustmoreidlechatter, excerpt892

47.LIBBY LARSEN(b.1950), Symphony: Water Music, first movement,Fresh Breeze894

48.ABING(HUA YANJUN, 1883—1950), Chinese traditional music:Er quan ying yue(The Moon Reflected on the Second Springs)931

49.IRISH TRADITIONAL DANCES, The Wind That Shakes the Barley and The Reel with the Beryle932

Appendix A.Reading a Musical Score933

Appendix B.Instrumental Names and Abbreviations935

Appendix C.Glossary of Musical Terms Used in the Scores940

Appendix D.Concordance Table for Recordings and Listening Guides948

Acknowledgments952

Index of Forms and Genres955

1999《THE NORTON SCORES A STUDY ANTHOLOGY VOLUME II: SCHUBERT TO THE PRESENT EIGHTH EDITION》由于是年代较久的资料都绝版了,几乎不可能购买到实物。如果大家为了学习确实需要,可向博主求助其电子版PDF文件(由KRISTINE FORNEY 1999 W.W.NORTON & COMPANY 出版的版本) 。对合法合规的求助,我会当即受理并将下载地址发送给你。

Enter Your Email
求助资料链接 (必填)
输入提取邮箱(必填)

访客求助条款:还望您仔细阅读以下条款,继续浏览或使用服务表示其均得到您的认可:



➊️ 条款:请支持正版图书。肯定和感激作者及出版商的社会贡献,以及国Jia在「教育公平」上作出的努力。

➋️️ 条款:向博主支付任何费用都意味着在访客的主观意识下雇佣博主,形成博主受雇于访客的劳务关系。

➌ 条款:严禁恶意雇佣博主处理违法、有伤民族感情、有违优良传统、安全法规之内容,雇方需承担相关后果。

➍ 条款:博主会对受雇之资料内容进行安全审查,故而请不要求助或发布任何不法内容,此类求助直接退款。

➎ 条款:通常2小时内完成求助,深夜的求助最迟第二天12点前,个别特别疑难的会提前告知在24小时内完成。

➏ 条款:若包含多册(如上、下册)每次求助仅受理一册,除非原本一本就包含上下册内容,而非分多本发行。

➐ 条款:因资料保存年代久远、或受当时印刷技术限制而可能导致的质量风险,求助者需明了并自行承担。

➑ 条款:雇佣博主为您从事资料处理服务是收费的,其设定参照了北京市 最低工资标准 时薪来推算。