《JAZZ IMPROVISATION FOR KEYBOARD PLAYERS》求取 ⇩

INTRODUCTION2

CHAPTER Ⅰ.CREATING MELODIES3

Lesson 1：Improvising with Chord Tones5

Lesson 2：Improvising with Scale Tones8

Lesson 3：Improvising with Chord Tones and Scale Tones11

CHAPTER Ⅱ.USING THE LEFT HAND13

Lesson 4：Voicing Chords13

Lesson 5：Styles of Left-Hand Accompaniment18

Lesson 6：Rhythmic Treatment of the Left Hand22

CHAPTER Ⅲ.PIANISTIC APPROACHES TO SOLOING.24

Lesson 7：The Single Note Linear Solo24

Lesson 8：Octave or Double Octave Unisons25

Lesson 9：The Chord-Style Solo25

CHAPTER Ⅳ.CHORD PROGRESSIONS FOR STUDY27

Lesson 10：The Ⅱ-Ⅴ-Ⅰ Progression27

Lesson 11：Blues Progressions30

Lesson 12：Cycling Progressions of Fifths34

Lesson 13：Chromatic Progressions38

CHAPTER I.DEVELOPING MELODIES45

Lesson 1：Using Repetition45

Lesson 2：Transposition of Ideas47

Lesson 3：Rhythmic Development48

Lesson 4：Melodic Sequences49

Lesson 5：Motive I nversion51

CHAPTER Ⅱ.FURTHER USE OF THE LEFT HAND52

Lesson 6：Connection of Left-Hand Voicings52

Lesson 7：Modal Applications54

Lesson 8：Chromatic Side-Slipping58

CHAPTER Ⅲ.BASIC SCALE CHOICES59

Lesson 9：Major Family Chords59

Lesson 10：Minor Family Chords60

Lesson 11：Unaltered Dominant Seventh Chords60

Lesson 12：Half-Diminished Seventh Chords60

Lesson 13：Fully-Diminished Seventh Chords60

Lesson 14：Altered Dominant Seventh Chords61

CHAPTER Ⅳ.RHYTHMIC CONCEPTION63

Lesson 15：Playing 1/8 Notes in “Swing” Style63

Lesson 16：Playing 1/8 Notes i n “Rock” Style64

CHAPTER Ⅴ.DIFFERENT TREATMENTS OF THE II-V-I PROGRESSION65

Lesson 17：Simplification of the II-V-I in Major65

Lesson 18：Simplification of the II-V-I in Minor66

Lesson 19：Complex Treatment of II-V-I in Major66

Lesson 20：Complex Treatment of II-V-I in Minor68

CHAPTER Ⅰ.FACTORS AFFECTING SCALE CHOICE74

Lesson 1：Implications of Chord Symbols75

Lesson 2：The Effects of Chord Function76

Lesson 3：Implications of the Melody78

Lesson 4：The Effects of Context and Tonal Memory79

CHAPTER Ⅱ.APPROACHES TO HARMONIC CONCEPTION83

Lesson 5：Achieving Harmonic Clarity Melodically83

Lesson 6：Chromatic Embellishment85

Lesson 7：Motion Into and Out Of the Harmony88

Lesson 8：Playing Outside of the Harmony90

CHAPTER Ⅲ.MELODIC IMPLICATIONS OF TRI-TONE SUBSTITUTIONS93

Lesson 9：Scale Relationships a Tri-Tone Apart93

Lesson 10：Chordal Arpeggiation a Tri-Tone Away95

CHAPTER Ⅳ.SUPERIMPOSITION OF SCALE FORMS97

Lesson 11：Scales with Some “Wrong” Notes97

Lesson 12：Pentatonic Scale Uses99

Lesson 13：Synthetic Scales102

CHAPTER Ⅴ.SCALE GENERATION OF UNCONVENTIONAL VOICINGS103

Lesson 14：Understanding Internal Scale Relationships103

Lesson 15：The Nature of Harmonic Intervals106

Lesson 16：Harmonic Clarity Versus Harmonic Obscurity108

APPENDIX 1 BASIC SCALE CHOICES FOR IMPROVISATION110

APPENDIX 2 OTHER SCALE CHOICES FOR IMPROVISATION111